Prologue: Oh, The Brush Glides Easily
Chapter 1a: I Hate Modern Art
The rain was gone now, dissipated and scattered faster than fruit flies on a disturbed rotten apple or possibly flies on a fresh piece of carrion. Particularly the carcass of a college student stabbed and strangled in his own apartment, with no trace of the killer save for the murder weapon and a piece of canvas.
“This is disgusting.” Said the rookie, forget his name, don’t care. This isn’t the first time he has bitched about a gory crime scene, and it probably won’t be the last time I have to say:
“Get used to it.”
He turned to look at me; I anticipated his words, as we have the exact same conversation every time. “It’s a sad day when you get used to something like this.”
I looked down at the body, the sight truly was disgusting. The victim had a large gaping hole in his stomach, creating a lake of blood which spilled over his sides and stained the off-white tile below. A broken bottle lay by his side, obviously the weapon the killer used to enact such violence. Higher up, the victim’s neck was bruised and yellowing, and a look of complete terror was locked forever across his face. The morticians will have a hard time prettying this guy up for a funeral.
I sighed, “Welcome to San Paro, rookie.”
There was a silence for a few moments, as we stood in our positions, looking solemnly down at the scene. I looked back towards the desk he laid beside, having a stare down with the painting that was left on the desk. It was an empty canvas, save for some weird abstract shapes.
I hate modern art.
An officer came through the only entrance into the apartment, closing the door lightly behind him. It broke the silence, but only barely.
“We’re going back to the station.”
Chapter 1b: Portrait of a Monster
It was humid in the station, particularly in my office. A plain room, I didn’t feel like personalizing it much. A desk, a computer, and a file cabinet, that was all I needed at work, the only splash of colour being that of the painting from the crime scene, which I had propped up against the back wall.
It wasn’t long before my partner had already infiltrated my desk, typing with nimble fingers, screens flashing and blinking across the old computer monitor.
I couldn’t shirk the feeling I was being watched; I looked back at the painting.
It stared back, its yellow orbs burning a hole in the back of my head.
“Here.”
My partner’s voice broke the silence, the painting suddenly losing its form as it became only a painting once more.
“Molly Mason. Does the name ring a bell?” He said, as he looked back at me, a fat finger pointed at the mugshot of a young woman, barely even seventeen.
“No? Should it?” I asked.
I looked over the mugshot that flashed on the screen dimly. I felt the eyes on the back of my head once more, scratching impulsively in an attempt to shake the feeling.
I looked back and the painting grinned.
“She is the daughter of Derek Mason. Remember him? He was during your time, I believe.”
That name did ring a bell. He was the shortest running commissioner in the history of San Paro. He was forced to step down because...
“No way, that’s her? What does this have to do with the case?”
My partner laughed, I didn’t think the painting was bothering him. I could feel the sweat start to roll down the side of my head. The painting was unnerving; I couldn’t trust the monster.
“Ms. Mason lived with the victim.”
Chapter 1a: I Hate Modern Art
The rain was gone now, dissipated and scattered faster than fruit flies on a disturbed rotten apple or possibly flies on a fresh piece of carrion. Particularly the carcass of a college student stabbed and strangled in his own apartment, with no trace of the killer save for the murder weapon and a piece of canvas.
“This is disgusting.” Said the rookie, forget his name, don’t care. This isn’t the first time he has bitched about a gory crime scene, and it probably won’t be the last time I have to say:
“Get used to it.”
He turned to look at me; I anticipated his words, as we have the exact same conversation every time. “It’s a sad day when you get used to something like this.”
I looked down at the body, the sight truly was disgusting. The victim had a large gaping hole in his stomach, creating a lake of blood which spilled over his sides and stained the off-white tile below. A broken bottle lay by his side, obviously the weapon the killer used to enact such violence. Higher up, the victim’s neck was bruised and yellowing, and a look of complete terror was locked forever across his face. The morticians will have a hard time prettying this guy up for a funeral.
I sighed, “Welcome to San Paro, rookie.”
There was a silence for a few moments, as we stood in our positions, looking solemnly down at the scene. I looked back towards the desk he laid beside, having a stare down with the painting that was left on the desk. It was an empty canvas, save for some weird abstract shapes.
I hate modern art.
An officer came through the only entrance into the apartment, closing the door lightly behind him. It broke the silence, but only barely.
“We’re going back to the station.”
Chapter 1b: Portrait of a Monster
It was humid in the station, particularly in my office. A plain room, I didn’t feel like personalizing it much. A desk, a computer, and a file cabinet, that was all I needed at work, the only splash of colour being that of the painting from the crime scene, which I had propped up against the back wall.
It wasn’t long before my partner had already infiltrated my desk, typing with nimble fingers, screens flashing and blinking across the old computer monitor.
I couldn’t shirk the feeling I was being watched; I looked back at the painting.
It stared back, its yellow orbs burning a hole in the back of my head.
“Here.”
My partner’s voice broke the silence, the painting suddenly losing its form as it became only a painting once more.
“Molly Mason. Does the name ring a bell?” He said, as he looked back at me, a fat finger pointed at the mugshot of a young woman, barely even seventeen.
“No? Should it?” I asked.
I looked over the mugshot that flashed on the screen dimly. I felt the eyes on the back of my head once more, scratching impulsively in an attempt to shake the feeling.
I looked back and the painting grinned.
“She is the daughter of Derek Mason. Remember him? He was during your time, I believe.”
That name did ring a bell. He was the shortest running commissioner in the history of San Paro. He was forced to step down because...
“No way, that’s her? What does this have to do with the case?”
My partner laughed, I didn’t think the painting was bothering him. I could feel the sweat start to roll down the side of my head. The painting was unnerving; I couldn’t trust the monster.
“Ms. Mason lived with the victim.”
Last edited by Molly on Sat Aug 21, 2010 10:49 am; edited 1 time in total