He'd been a player, back in Los Angeles. Money, women, hot cars and hot nights. Now his game was over and he'd been exiled with nothing but the shirt on his back, left to rot in the hell of San Paro. He knew he could rebuild, start fresh and make something of himself once more, but one old rule always holds true no matter what business you're in: it takes money to make money. Before he could start the ball rolling again and rebuild his reputation, he'd need a nest egg, some seed money to throw around. And that meant a heist. A high-profile heist in a city crawling with licensed-to-kill vigilantes, most of them more deranged than the criminals they hunted.
He turned the brittle page, glancing over the local events section, and smiled.
Art Robbery Shocker
Yesterday's armed robbery at the Sullivan Gallery in San Paro's Financial District -- an assault which left two employees dead and another seriously injured -- was carried out by a small band of shotgun-brandishing thugs who, despite immediate Enforcer response, managed to slip away unscathed. Vocal critics of Mayer Derren's controversial City Security Act immediately pointed to the event as yet another failure of the current administration's leadership.
"It was a blitz attack," said gallery owner Tim Sullivan, still visibly shaken in the aftermath of the raid. "They just ran in and started shooting... The weird thing was, they had time to loot half the gallery, but they only took one piece. It's not the most expensive painting in the gallery, not by far, but that was all they were after."
That piece, "Blue Square", was painted in 1931 by Russian artist Kazimir Malevich. Malevich was the founder of the avante-guard "Suprematist" school, whose emphasis on simple geometric shapes made an indelible mark on the formation of modern art. The piece had just come to San Paro as part of a small touring exhibit from Vienna, and had only been on display for a few days before the theft took place. While the thieves destroyed the security system, one blurry image of the gang's leader was salvaged: if you recognize the man in the photo below, please contact the San Paro Police Department immediately. The Sullivan Gallery is offering a reward for information leading to...
Dmitri closed the paper. "You finally did it," he said aloud to nobody in particular. "All these years, Oleksandr, and you finally stole the damn thing. Good for you. Too bad you won't be keeping it."
A plan was forming in the back of his mind, rusty wheels beginning to turn with the anticipation of a score. Dmitri couldn't pull this off alone: he'd need locals, people who knew the lay of the land. A driver, a shooter or two. He didn't mind splitting the take, if it meant making enough to get back on his feet again. If he guessed right, there'd be enough cash for everybody. Everybody except Oleksandr. He left the beer and the paper behind, and went over to talk to the crusty old man behind the bar.
"You look like you know people."
The bartender shrugged, as he cleaned out a glass with a dirty rag. "Everybody knows people."
"People who need work."
"Unemployment's up to fifteen percent. Everybody needs work."
"I'm not talking about flipping burgers at McDonalds," Dmitri said.
"I might know a friend of a friend who knows somebody. Not saying anything specific. You -- you, I don't know."
"I'm a friend of a friend. And I'm offering work. Just in case you happen to know somebody who's looking."
The bartender gave Dmitri a casual once-over, trying to judge the man's measure. Their eyes met, and an entire conversation passed between them without a single word being said.
"I might be able to put the word on the street," the bartender said. "Where are you gonna be?"
"That booth," Dmitri said, jerking his thumb over his shoulder.
"Huh. You gonna buy another beer?"
"Start a tab for me."